See the Light Art | Homeschool Art Curriculum
Unleash Your Child's Creativity
Draw through the Bible with black light chalk artist, Jim Pence. This video series is designed for homeschoolers who want to have fun learning art and the Bible. And, in keeping with Jim’s black light chalk artistry, each of these projects incorporate black light chalk or paint.
For more children’s art resources, visit: seethelightshine.com
Draw through the Bible with black light chalk artist, Jim Pence. This video series is designed for homeschoolers who want to have fun learning art and the Bible. And, in keeping with Jim’s black light chalk artistry, each of these projects incorporate black light chalk or paint.
For more children’s art resources, visit: seethelightshine.com
[Guest post by master artist, Pat Knepley]
Spanish artist Pablo Picasso may be the most well-known name in the world of art. And most people think of him as a painter. However, Picasso was also a sculptor and even brought back an ancient art form to be part of the modern art scene: collage. The term collage derives from the French “coller” meaning “glue”.
In Picasso’s case, he and friend and fellow-cubist painter Georges Braque, coined the term collage to mean the act of pasting scraps of flat objects (paper, lace, wicker, labels,) onto the surface of a painted canvas to make it part of the visual statement.
Picasso started this modern trend by adhering some chair seat caning to one of his canvases. His friend Braque pasted scraps of shredded paper. Later, newspaper clippings and labels from bottles , in fact any flat object would be incorporated into a painting, so that the words were part of the overall composition. There are other artists who through the twentieth century and into today have embraced collage as a viable art medium.
When the Post-impressionist Henri Matisse was plagued with health problems later in life, he gave up painting in oils at a tall easel, as was his custom, to try a new medium of art – collage. Matisse began to cut out large paper shapes and have assistants glue them to a large canvas to “paint with scissors”. His foray into bright colors, organic shapes, and oversized compositions brought a whole new audience to appreciate the genius that is Matisse.
The African American artist Romare Bearden used collage to great effect to tell stories of black Americans, with a special emphasis on musicians. What makes Bearden’s collages so intriguing are the many layers of painted papers, magazine clippings, and photographs to create complex images. When Bearden made collage his signature technique in the 1960s, he started off with simply torn or cut paper. But as the years went on, he added foil, textured materials, and miscellaneous found objects.
Next Time: An easy and fun Charlotte’s Web collage project for you and your children to try.
Interested in doing more collages? Scroll to the bottom of this post and check out Art Projects: Poppy Collage.
Notes:
For more about Romare Bearden, see:
nga.gov/education/classroom/bearden/methc1.shtm
To learn more about Picasso and his collage work, check out this video:
Guest post by Pat Knepley – In part one of this post, we looked at three great illustrators. This week we’ll consider four more: N. C. Wyeth, Arthur Rachkam, Jessie Willcox Smith, and Edward Detmold.
Newell Convers Wyeth was the patriarch of an entire family of successful artists. He and his wife home schooled their children, and included art instruction as the first subject each day. Their son Andrew Wyeth became the most well known American realist painter of the twentieth century. N. C. painted more than 4000 illustrations for publication over his lifetime.
One of his most successful books was when he illustrated the Robert Louis Stevenson classic Treasure Island. Wyeth had a vivid imagination that translated into stunning illustrations filled with compelling characters and exacting detail.
Wyeth was known for studying every aspect of the genre he was illustrating in order to heighten the realism, even spending some time out west working on a ranch so that the cowboys he drew for his western stories would be true to life.
Arthur Rackham was one of the illustrators during England’s golden age of Book Illustration for the later years of the 19th century until the start of the Depression. His style of using pen and ink line drawings overlaid with watercolor washes created an ethereal and fanciful look that worked well with the range of stories he illustrated. One of his classics was the fairy tale Rip Van Winkle published in 1905.
Jessie Willcox Smith was an American illustrator known for her works in Women’s magazines and for Children’s literature. Born and educated in Philadelphia, Smith had a long and successful career portraying young children even though she was never a parent herself.
Her rosy-cheeked children graced the covers of many magazines in the early twentieth century, and revealed an intuitive sense of children’s moods and movements. In addition to magazine work, Smith also illustrated classic Children’s literature, such as The Water Babies by Charles Kingsley and Heidi by Johanna Spyri from 1922.
Edward J Detmold was born in 1883 in England, and he was a twin. He and his brother were both talented artists with a gift for capturing plants and animals in all their natural beauty. Detmold was influenced by the compositions and color of Japanese prints. In 1909, Detmold illustrated Aesop’s Fables., and since so many of those stories have animals as the main characters, this commission was well suited to Detmold’s skills.
For the home educator, linking art to literature is a natural. Use a book your student is currently reading and have them illustrate one or more scenes. There are two approaches to take with a project like this: illustrate a scene that is described well, making sure the details match; or illustrate a lesser known scene where the artist can fill in details that the author did not take the time to describe.
More imaginative students will like this option. Keep the drawing to simple black pen or a very fine marker over an initial sketch in pencil. The more details added by the young artist, the better! Carefully reading a favorite line, within a chapter so get context, can provide the perfect inspiration (and caption) for a drawing. So start reading some classics and let the words cause your imagination to translate into beautiful pictures.
In this pastel painting workshop from See the Light, artist Jim Pence demonstrates how to draw the fence posts and sparrow in his pastel painting, “His Eye is on the Sparrow.”
The foundational skill of art is drawing.
Whether you’re using a pencil, pen, brush, or a piece of chalk, it’s all about drawing.
In your free lessons, you’ll learn…
…The basics of what makes a drawing
…What you need to have in your drawing “toolkit”
…The most essential skill of drawing
…How to synchronize your hand and your eyes
…The basics of composition
In this workshop from See the Light, artist Jim Pence demonstrates how to draw the foreground in his pastel painting, “His Eye is on the Sparrow.”
You’ll need some yellow pastels to do this part of the drawing.
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